Have you ever looked at a set of drone photos and wondered why some make a property look enormous, while others are better for showing nearby shops, roads, or access? Different shots serve different purposes — the same is true for videography styles on the ground. This guide explains every shot and video style I use, what each is designed to show, and when to use it.
The low-angle close shot is usually the "hero shot" — the first image displayed on real estate listings and marketing materials. The drone is positioned relatively low and close to the property, typically at a slight downward angle. The goal is to make the building the clear focus of the image while still showing enough surrounding context to orient the viewer.
This shot works at its best on a clear morning with the sun behind the drone, giving even light across the facade with minimal harsh shadows.
A locality shot places the property in context by showing nearby landmarks, shops, transport links, schools, parks, or other points of interest. The property remains visible, but the emphasis shifts toward answering the question: "Where is this property located relative to everything around it?"
These shots are particularly powerful for inner Sydney and North Shore properties where proximity to train stations, retail strips, parks, or the CBD is a genuine selling point. The drone is flown higher and further back to capture the wider area.
Sometimes called a top-down or bird's-eye shot — the drone points directly downward to show the property from above. These images are particularly useful for understanding land size, building footprint, neighbouring lots, and access arrangements. They're harder to produce well than they look: the drone needs to be directly overhead at the right altitude, and any drift shows immediately.
For development sites and land sales, the overhead shot is often the most important image in the set. For residential real estate, it pairs well with a low-angle hero shot to give buyers a complete picture of the property.
One of the most popular drone shots for Sydney properties. The property is placed near or far in the foreground while the skyline, city centre, harbour, or surrounding suburb appears in the background. These shots help demonstrate location and prestige while creating a more visually impressive image.
Unlike the locality shot which is taken from directly above, the skyline contextual shot is taken from a lower angle showing a larger area in the background. The challenge is finding the right position where both the property and the skyline are visible simultaneously — this is why pre-flight Google Earth planning is so valuable. Not every property can achieve this shot due to nearby buildings obstructing the view.
Roof inspection shots focus on providing a clear visual overview of roofing structures without requiring ladders, scaffolding, or roof access. The goal here is not to create attractive marketing images, but to document the condition of a roof, inspect roof equipment, and identify visible issues — all from the safety of the ground.
These inspections are particularly useful before purchasing a property, before engaging tradespeople, or for insurance assessments. Getting photos first means you can approach multiple roofers with accurate documentation rather than relying on a single tradesperson's assessment of their own work. At $20–$30 for a residential inspection, it's one of the most cost-effective uses of a drone.
An oblique shot is captured from a higher altitude at a moderate angle rather than directly overhead. These images often provide the best balance between detail and context because they show both the property itself and its immediate surroundings.
These images are often further edited to clearly indicate property boundaries, differentiating the subject property from surrounding properties and infrastructure. For commercial real estate, oblique shots are frequently used in information memorandums and planning applications where a precise property boundary illustration is required.
A variety of shots are always useful to fully capture a property. I quote for a flying session rather than per image, which means you get comprehensive coverage without costs racking up for every additional angle.
Different drones suit different jobs — it's rarely a question of one being simply "better" than the other. Weight, sensor size, and video specification all trade off against each other, and the right platform depends on the site, the airspace, and what the footage is actually for.
At 249g, the Mini 4K sits in CASA's lightest weight category, which comes with a genuine practical advantage: it can fly within 5.5km of a controlled airport, up to 45m above ground level — provided it stays outside the airport boundary and clear of runway approach and departure paths. A heavier drone can't operate in that zone at all. For jobs in inner Sydney, near Sydney Airport, or on tight urban sites, this makes the Mini 4K the only platform that can get the job done at all in some locations.
It's also quieter and more discreet on site, which matters for residential jobs and locations where drawing less attention is preferable. Shoots 4K video, 12MP stills, JPEG and RAW, AEB bracketing — suitable for the large majority of real estate, inspection, and event coverage work.
The Air 2S trades some of the Mini 4K's airspace flexibility for a larger 1-inch camera sensor, producing sharper images, better dynamic range, and stronger low-light performance. It shoots 5.4K video, 20MP stills, and a D-Log M colour profile for more flexible post-production grading.
Where image and video quality is the priority — commercial marketing, promotional content, events, and construction documentation — the Air 2S is generally the stronger choice, provided the site and airspace allow it.
Not sure which drone is right for your job? Describe what you need in the quote form and I'll recommend the right platform.
Get a quote →The same principle applies on the ground as it does in the air — different videography styles serve different purposes. These are the shot and production styles I use most, from the same case studies and jobs referenced throughout this guide.
A smooth, continuous walking shot through a space using a handheld gimbal (DJI RS3 Mini) to eliminate the shake and bounce of handheld footage. The camera moves at a steady pace, letting a viewer experience a space the way they'd walk through it in person.
This is the ground-level equivalent of the low-angle hero shot — often the first and most-watched footage in a real estate listing or interior showcase, and one of the more technically demanding styles to shoot well, since pace, framing, and obstacle avoidance all have to hold together in a single continuous take.
A static or gently moving shot of a person speaking directly to camera or being interviewed, recorded with a wireless lapel mic (DJI Mic Mini 2) or shotgun mic for clean, isolated dialogue audio separate from ambient noise.
Good audio matters more than good picture here — a slightly soft frame is forgivable, but audio with background noise, wind, or echo is usually not. Location and mic choice are planned around this before the shoot.
Supporting footage that isn't the main subject but gives an edit rhythm and context — hands at work, product detail, ambient activity, exteriors that set a scene before cutting to the main subject. B-roll is what separates a polished edit from a single static talking-head clip.
I shoot deliberately excess B-roll on most jobs, since it's far cheaper to have unused footage than to be missing a shot in the edit.
Short-form, 9:16 vertical video shot and framed specifically for Instagram Reels, TikTok, and similar platforms — not a horizontal shoot cropped down after the fact. Framing, pacing, and text-safe zones are all considered from the first take.
These jobs are usually delivered as a small batch of finished clips rather than raw footage, ready to post with minimal further editing needed on the client's end.
Continuous or multi-segment coverage of a live event — a DJ set, a market activation, a community event — combining wide crowd/atmosphere shots with closer performer or moment-focused footage. Dual-track audio (a direct feed alongside ambient mic) is used where the event has its own sound source.
Ground coverage pairs naturally with aerial coverage for events with a strong sense of scale or location, giving both the intimate and the wide-scale view of the same moment.
Documentary-style ground footage of a construction or development site, usually paired with aerial coverage for full context. Useful as a standalone promotional asset or as a running record across multiple site visits to show progress over time.
These jobs often combine wide site context, closer footage of specific trades or milestones, and pieces to camera from site managers or stakeholders in a single visit.
Good drone photography is often more about weather than equipment. Clients who are flexible with timing generally receive the best results. A great property photographed in poor conditions will rarely look as good as an average property photographed under excellent lighting.
If the prevailing conditions at your booked time aren't ideal, you can cancel free of charge with 12 or more hours written notice. If weather makes the flight unsafe on the day, I'll reschedule at no cost. Rescheduling is free — reshooting isn't.
Email drone@joshuachan.com.au with what you need shot, and when you'd like it done. Reply within 1–2 hours with pricing, planning details, and credentials.
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